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TheRickshawLive #movingthemusic

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18 channel mix

2.5 kW sound

 

#MovingTheMusic 

Maker Faire – Pensacola!

Maker Faire – Pensacola!

Maker Faire – Pensacola!

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TheRickshawLive knows about Makers!

Music Makers and Rickshaw Makers for sure.  But on November 11, 2023, Rhoda met a whole new crowd of makers at the Pensacola Maker Faire.

If you are looking for creative inspiration and want to meet people that actuate such inspiration, the Maker Faire is the place!

Some eighty, yes EIGHTY, makers lined up to show their creations in downtown Pensacola, surrounding the Museum of Commerce.

The day before, we had an on-stage chat with Jaromy Kuhl, Ph.D., Dean of the Hal Marcus School of Science and Engineering at University of West Florida about what happens at a Maker Faire!  See the YouTube video here!

On the day of, Rhoda was there, a low-earth orbit #perfectlypedalledsoundstage for makers like Pat Meusel, spinning his #motionalmusic!  You can see the all the fun we had on our Maker Faire wrap-up Youtube reel!

#RollWithIt

Kids Slow Ride – Pensacola!

Kids Slow Ride – Pensacola!

Kids Slow Ride – Pensacola!

Bike Pensacola Brings the First-ever Kid’s Slow Ride to East Hill

You know you love a slow ride and Bike Pensacola is bringing it again – this time with a route for kids!

Bike Pensacola has teamed with Pensacola Association of Realtors to stage a Slow Ride for kids, along with a bike rodeo on May 20, 2023!

The route covers about a mile, rolling from Malaga to Cordova Squares through Pensacola’s charming East Hill neighborhood.

Parents are encouraged to ride too and we’ll have the company of the Pensacola Police Department on their “bikes”!

After the little pack of cyclists completes their out-and-back, police-escorted tour, kids will will be treated to a bicycle rodeo and free helmets, courtesy of Sacred Heart Hospital along with other prizes (like bicycles!).  Of course, TheRickshawLive and the #perfectlypedaledsounstage Rhoda, will be there, bringing the #motionalmusic of Pat Meusel, live on the rolling stage!

The wheels roll at 0900 CDT, starting at Malaga Park.  No registration is required and the Kids’ Slow Ride is free.

More information is available at https://www.bikepensacola.org/ or on Bike Pensacola’s Facebook page.

More Details:  The ride will be about one hour and ten minutes long, at a casual pace. Nobody will be “dropped” or left behind. Children must be at least 10 years of age to ride their own bicycle, and ages 10 – 16 must be accompanied by an adult. No pets are allowed on the Rides. Cyclists under 16 must wear a helmet by law; ages 16 and up helmets are recommended but are not required by law. We will enjoy a ride escort by officers of the Pensacola Police Department.

For much more information about the Slow Ride please visit Bike Pensacola on Facebook or call 850-687-9968 or bike@pensacolacan.org

Jo Asker

Jo Asker

Jo Asker

Jo Asker is a prolific performer in the Northern Colorado music scene. He fills the bass role in a diverse array of settings as a sideman or featured artist, and brings a unique voice to any ensemble he’s with. A large portion of his gigs are at Fort Collins’ infamous jazz venues, as well as with folk, country, rock, and funk bands like Dave and the Gin Mill Gypsies, the Jasper Grooves Collective, Catch and Release, Big Brooklyn, the Twirling Zucchinis, and more. He has performed with the Fort Collins Symphony, Wyoming Symphony, Washington-Idaho Symphony, and several other established orchestras and chamber groups. A wide variety of musical aptitudes has forged a unique artistic voice that shapes his playing and the sound of any group he’s a part of, as well as his compositions and work as a bandleader. Jo has taught bass and cello at Casper College, and bass/electric bass at Front Range Community College – Larimer Campus.. He holds a B.M. from the University of Idaho, and a M.M. from Colorado State University.

Here’s a link to Jo’s latest collaboration with Michael Kirkpatrick, captured in a Magnolia Sessions video!

 

Jo and Brianna Harris #movingthemusic in FoCO!

Tom Amend

Tom Amend

Tom Amend

Tom Amend is an organist, pianist, composer, and arranger from Denver, Colorado. Tom performs throughout the Rocky Mountain Region in various settings as both a leader and a sideman. He has performed and or recorded with Colorado based artists: Gabriel Mervine, Taylor Scott, The Burroughs, Paul Romaine, Greg Gisbert, Steve Kovalcheck, among many others. Amend has also shared the stage with, Jeff Hamilton, Chris Potter, Christian McBride, Julia Dollison, Joey DeFrancesco, Groove For Thought, Deborah Brown, John Fedchock, Louis Hayes, Dave Liebman, Sheila Jordan and others.

Tom’s compositions and arrangements have been performed by the Downbeat award winning UNC Jazz Lab Band One, Vocal Lab, Chris Potter, John Fedchock, and Joey DeFrancesco. His writing is featured on the April 2019 release, “Frontier Justice” featuring Steve Kovalcheck and Jeff Hamilton as well as his March 2021 Octet release, “Heliotrope” that features a host of Colorado’s finest.

Amend received a Bachelor of Music in Jazz Studies and a Masters of Music in Jazz Composition at the University of Northern Colorado. Through his association with UNC, Tom has performed with nationally recognized UNC Lab I, UNC Vanguard Combo, and Vocal Lab. Tom is currently an Adjunct Professor of Jazz Piano at the University of Northern Colorado and performs extensively as both a leader and a sideman.

The Tom Amend Octet debut release, “Heliotrope” is now available!

 

Tom Amend #RollWithIt

Tom and Patrick Atwater, #MovingTheMusic in June of 2015 on Rikki!

Jeff Sweeney

Jeff Sweeney

Jeff Sweeney

Jeff Sweeney

Christian, Husband, Father also known as Mr. Betty.

Since 1995 the world of 9-5 has not been viable world for Jeff to live in, he has been chasing the entrepreneur life ever since.  He has started and operated a couple of small businesses, Fence Construction, Fire Mitigation and firewood, JSS Auctioneers and Mr. Betty’s Outdoor Man Grill!  

As the trails of the Rikki and Roada began to roll along and make the music, Doc Tim and I began to spend many hours discussing the operations and transportation of the Ladies to their gigs.  Being the first person to pedal Roada, fresh from the factory in the parking lot of American Family Furniture as I loaded her into her new home …. fast forward to…….. today as the preparation has started for Roada 2.0 there have been many trials and tribulations as this crazy idea has hist the streets to Move The Music!

I look forward to the future as the Ladies get new siblings and to see how the upgrades improve the opportunity for everyone to experience Move The Music as we spread smiles and foot tapping wherever they roll!

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The song we discussed: Herbie Hancock, Actual Proof

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Brad Colerick

Brad Colerick

Brad Colerick

LA-based Americana artist Brad Colerick’s songs seep into your heart with a single listen. His finely wrought, plainspoken lyrics find the poetry in everyday language. Billboard Magazine called him “one of a baker’s dozen of acts to watch in the folk community around the world.” He moved from his native Nebraska to Los Angeles in 1986 and built a successful career making music for commercials where he wrote and produced ditties recorded by such musical icons as BB King, Shawn Colvin, Buddy Guy, Amy Grant, The Chi-Lites, and Johnny Cash. Colerick’s albums land firmly in the Americana wheelhouse with guest appearances by Suzy Bogguss, Chris Hillman, Herb Pedersen, April Verch, and Gabe Witcher.

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The song we discussed: Healer.  The Album: Nine Ten Thirty.

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Brad and Charlie White played on Rikki as her first guests in March 2015 as I pedalled them around a neighborhood in north Fort Collins.

 

 

Brad Colerick shows how to #RollwithIt
Media-Making!

Media-Making!

Media-Making!

I have worked hard to assemble the technological solution behind my production.  The components I have assembled work and I have listed them for your reference.  I may earn commissions for purchases made through the links below.

Production Details for this episode:

 

Music: 

For TheRickshawLive.com

Amber Light by Shawn Williams,  Musicbed.com https://www.musicbed.com/invite/aqN2u

 

Main Inputs and Control:

Desk Mic:

AKG P220 https://amzn.to/3eCBtgn

Samson CO2 Microphones (pr):

Samson https://amzn.to/3iAFSSZ

Desk Microphone Arm:

Rode PSA1 https://amzn.to/2HZr82n

Dynamic Microphone:

Shure SM58 https://amzn.to/3sLZ5WA

Overhead Microphone Arm:

Auray BAI-2X https://amzn.to/3qM8dsx

 

Desk Mic stand:

Gator https://amzn.to/3611mn3

Mixer:

Rode Rodecaster Pro https://amzn.to/3k2Odht

Apple Lightning to 3.5 mm

Apple  https://amzn.to/3sGWpcV

Stedman Pop Filter:

Proscreen XL https://amzn.to/3bXgHc9

Headphones:

Sennheiser HD201 https://amzn.to/3esBm76

Earphones:

Shure SE215-CL https://amzn.to/3qHQ5ji

Processing: Garageband

Computer:

Apple M1 Mini https://amzn.to/395Rs5z

Magic keyboard:

Apple MLA22LL/A https://amzn.to/2Y3xv9e

Magic trackpad II:

Apple MJ2R2LL/A https://amzn.to/3c1iqNq

To be sure, there is quite a few small parts and cables needed to really make it work. I have listed my full kit at:

https://therickshawlive.com/therickshawlive-affiliate/

Spencer Zweifel

Spencer Zweifel

Spencer Zweifel

Since forming his first jazz group at age 16, Spencer Zweifel has become a regular member of the Colorado music scene. An accomplished jazz pianist, Zweifel has performed professionally in a wide variety of genres, including gigs with the Brian Claxton Quintet, the funk-pop band Swerve, the Manabi Salsa Band, and the Burroughs. In 2018, Spencer was selected as a national finalist for both the Jacksonville Jazz Festival jazz piano competition and the American Jazz Piano competition. Spencer graduated in 2019 with a degree in jazz studies from the University of Northern Colorado and won ‘Best pop/rock soloist’ in the 2018 Downbeat Magazine student awards. Spencer is currently pursuing a Master’s in jazz studies at William Paterson University, where he has studied with Bill Charlap, Aaron Diehl, and Geoffrey Keezer.

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The song we discussed: Backwoods Fancy.  The album: Backwood Fancy.

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Spencer has played many gigs on TheRickshawLive stages – both Rikki and Rhoda.  I managed to capture some video of one of my favorites.

Elise Wunder

Elise Wunder

Elise Wunder

She does it with a voice of oak and leather; a tone that’s soft and comforting but with an unmistakably solid foundation. Her style is heavy in a way that does not suggest world weariness so much as it does wisdom and an old soul.
Her voice will take you by surprise, especially when she sets it loose at an unexpected moment and you realize the power that she has been holding back. It’s a cannon and a paintbrush at once, but it’s not her voice alone that sets her apart. As she follows a tune you’ve known for many years with another song, you find yourself wondering where you’ve heard it. You wait for the lyrics, sure that you’ll be able to place it. No, you just can’t put your finger on it. It’s not this artist, nor that. And when it’s over, she tells you that it’s her own song yet, somehow it seemed to already be a part of you.
It’s her song writing (somehow wistful, promising and familiar, and completely new) that is quietly staggering. Her lyrics, written in a stream of consciousness style that leaves wide space for personal interpretation, are nonetheless clearly autobiographical. Wunder seems to be baring her soul, both the strong parts and the weak, despite her best efforts to protect herself from our prying ears. She can’t help but bleed when she sings, and the vulnerability of her art drives into our hearts with the force of a hammer.
The most subtle aspect of Elise Wunder’s music is the thin line of darkness that runs through the center of it all. There is a lean towards the abyss, a nod to the void. Maybe it’s a curiosity about the dark alleys, the unlit streets, and the things that you can only find there when you go looking for them yourself. Whatever it is, it’s easy to overlook in her songs, comes naturally to the singer, and is the final ingredient necessary in creating truly soulful music.

By: Kyle Pogue
Much thanks

Steve Meyer: Building TheRickshawLive!

Steve Meyer: Building TheRickshawLive!

Steve Meyer: Building TheRickshawLive!

Rikki rickshaw was the first but when she needed some relief, we went to work building star-ship with more stage space, more power, more mix, a lot more of everything Rikki launched!

We needed a pedal platform that could perform, was proven, that we didn’t have to build from scratch.

Not so far from our Fort Collins fabrication station (in John’s shop), we discovered Mainstreet Pedicabs.  It turned out that Steve Meyer, owner, had conversed with Tim sometime around 1997 regarding a pedicab!  Listen to the podcast to hear where Rhoda, Rikki’s big sister, came from and where TheRickshawLive is headed with #motionalmusic!

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When I talk to builders, I ask them to talk about music that as moved them.  Steve selected a music track titled: Ripple (Grateful Dead) feat. Bill Kreutzmann, from:  Song Around The World, Playing For Change Foundation.  Enjoy!